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The five works on our Vol. 8 offer a fascinating cross-section of Telemann's violin concertos from the early creations of the Eisenach period (1708-1712) to the 1730s, when the composer published his Musique de table as a musician highly respected throughout Europe. And the genres and instrumentations on this album are also varied: concertos for two and three solo violins stand alongside a Violetta double concerto and Telemann's only concerto overture with two solo violins. "The wealth of variations in compositional technique and style testifies to a composer who constantly reinvented himself, or who did not need to do so because of his great versatility. Another jewel in cpo's Telemann crown. " (klassik. Com on Vol. 7) Here, too, the Wallfisch Band convinces with freshness, the best inner ensemble balance and great respect for each other, which results in audibly friendly musical cooperation.
The five works on our Vol. 8 offer a fascinating cross-section of Telemann's violin concertos from the early creations of the Eisenach period (1708-1712) to the 1730s, when the composer published his Musique de table as a musician highly respected throughout Europe. And the genres and instrumentations on this album are also varied: concertos for two and three solo violins stand alongside a Violetta double concerto and Telemann's only concerto overture with two solo violins. "The wealth of variations in compositional technique and style testifies to a composer who constantly reinvented himself, or who did not need to do so because of his great versatility. Another jewel in cpo's Telemann crown. " (klassik. Com on Vol. 7) Here, too, the Wallfisch Band convinces with freshness, the best inner ensemble balance and great respect for each other, which results in audibly friendly musical cooperation.
761203788224

Details

Format: CD
Label: CPO RECORDS
Rel. Date: 05/20/2022
UPC: 761203788224

Complete Violin Conc
Artist: The Wallfisch Band
Format: CD
New: Not in stock
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DISC: 1
MP3
1. Overture-Suite In G Minor, Twv 55:G8: I. Apertura
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2. Overture-Suite In G Minor, Twv 55:G8: II. Rondeau
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3. Overture-Suite In G Minor, Twv 55:G8: III. Passepied
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4. Overture-Suite In G Minor, Twv 55:G8: IV. Sarabande
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5. Overture-Suite In G Minor, Twv 55:G8: V. Echo
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6. Overture-Suite In G Minor, Twv 55:G8: VI. Passacaglia
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7. Overture-Suite In G Minor, Twv 55:G8: VII. Menuets I & II
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8. Double Violin Concerto In B-Flat Major, Twv 52:B2: I. Adagio
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9. Double Violin Concerto In B-Flat Major, Twv 52:B2: II. Allegro
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10. Double Violin Concerto In B-Flat Major, Twv 52:B2: III. Adagio
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11. Double Violin Concerto In B-Flat Major, Twv 52:B2: IV. Allegro
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12. Double Violin Concerto In G Major, Twv 52:G2: I. Grave
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13. Double Violin Concerto In G Major, Twv 52:G2: II. Allegro
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14. Double Violin Concerto In G Major, Twv 52:G2: III. Largo
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15. Double Violin Concerto In G Major, Twv 52:G2: IV. Presto
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16. Double Violetta Concerto In G Major, Twv 52:G3: I. Avec Douceur
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17. Double Violetta Concerto In G Major, Twv 52:G3: II. Gay
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18. Double Violetta Concerto In G Major, Twv 52:G3: III. Largo
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19. Double Violetta Concerto In G Major, Twv 52:G3: IV. Vivement
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20. Triple Violin Concerto In F Major, Twv 53:F1: I. Allegro
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21. Triple Violin Concerto In F Major, Twv 53:F1: II. Largo
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22. Triple Violin Concerto In F Major, Twv 53:F1: III. Vivace
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More Info:

The five works on our Vol. 8 offer a fascinating cross-section of Telemann's violin concertos from the early creations of the Eisenach period (1708-1712) to the 1730s, when the composer published his Musique de table as a musician highly respected throughout Europe. And the genres and instrumentations on this album are also varied: concertos for two and three solo violins stand alongside a Violetta double concerto and Telemann's only concerto overture with two solo violins. "The wealth of variations in compositional technique and style testifies to a composer who constantly reinvented himself, or who did not need to do so because of his great versatility. Another jewel in cpo's Telemann crown. " (klassik. Com on Vol. 7) Here, too, the Wallfisch Band convinces with freshness, the best inner ensemble balance and great respect for each other, which results in audibly friendly musical cooperation.
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